Skip to content Skip to navigation

Oaxaca Ingobernable: Introduction to Lino Printing Workshop

When: 
Thursday, October 3, 2024 -
3:00pm to 7:00pm
Where: 
Hibben Center for Archaeology Research, Atrium
Cost: 
Free but registration is required
Presenter/s: 
Pavel Acevedo

* Registration via our Eventbrite page is REQUIRED for each workshop *

Please join us September 30 to October 5, 2024, for hands-on workshops with Pavel Acevedo. Each workshop will be offered in a different place on the Main UNM campus and one of them will be off-site, see details and register for each below.


WORKSHOP #1. INTRODUCTION TO LINO CARVING

Date & Time: Monday, September 30 @ 4:00 - 8:00 p.m. |  Location: UNM Department of Chicana/o Studies | Address: 1829 Sigma Rd NE


WORKSHOP #2. INTRODUCTION TO LINO CARVING

Date & Time: Tuesday, October 1 @ 3:00 - 7:00 p.m. |  Location: UNM El Centro de la Raza | Address: Mesa Vista Building 56


WORKSHOP #3. INTRODUCTION TO LINO CARVING

Date & Time: Wednesday, October 2 @ 3:00 - 7:00 p.m. |  Location: UNM El Centro de la Raza | Address: Mesa Vista Building 56


WORKSHOP #4. INTRODUCTION TO LINO PRINTING

Date & Time: Thursday, October 3 @ 3:00 - 7:00 p.m. |  Location: UNM Hibben Center for Archaeological Research, Atrium (Maxwell Museum of Anthropology) | Address: 500 University Blvd. NE


WORKSHOP #5. SILK SCREEN PRINTING

Date & Time: Saturday, October 5 @ 11:00 am - 5:00 p.m. |  Location: ABQ Zine Fest @ Sanitary Tortilla Factory | Address: 402 2nd St, SW, Albuquerque, NM 87102


ABOUT THE WORKSHOP TEACHER - PAVEL ACEVEDO

Artist Pavel Acevedo was born in Oaxaca, Mexico, and currently resides in Riverside, California. His experiences in Oaxacan protests, including the 2006 popular uprising in Oaxaca City and movements in California, shape the focus of his creative work. He uses linoleum printing and muralism to engage with the deep and often overwhelming tensions he and countless other Oaxacans experience around migration, borders, and nation states. His practice of collaborative printmaking encourages collective meaning making. Acevedo draws on Zapotec storytelling and contemporary Oaxacan migrant experiences to blend the (super)natural world with rebellious and life-affirming visions of Oaxacan being.